Launch Video Library · Hardware · Launch · 2025

Introducing EP-40 riddim & EP-2350 ting

Teenage Engineering expands its EP series with a reggae-inspired sampler and a handheld performance microphone.

What Teenage Engineering shipped

Teenage Engineering expands its EP hardware series with the EP-40 riddim and EP-2350 ting, leaning heavily into reggae and dub culture. The EP-40 is a sampler and sequencer packed with reggae-inspired FX and classic bass tones, while the EP-2350 ting is a handheld performance mic designed to connect directly into the ecosystem.

Teenage Engineering’s launch films are masterclasses in hardware presentation. They rely on stark, high-contrast art direction, mechanical precision, and rhythm-driven editing to make physical products feel like living instruments.

How the motion works

The edit is entirely driven by the audio. Teenage Engineering uses cutting-on-the-beat to synchronize every visual transition with the reggae and dub tracks produced by the hardware itself. This isn't just an aesthetic choice; it serves as a functional demonstration of the product's timing, groove, and sonic capabilities.

Camera work is clinical and deliberate. The film relies on precise punch-ins to highlight specific buttons, faders, and the segmented LCD screen. By avoiding unnecessary camera drift, the focus remains entirely on the industrial design and the tactile nature of the interface. The viewer sees exactly what the performer's hands are doing.

Transitions rely heavily on the hard-cut and the match-cut. When moving between the EP-40 sampler and the EP-2350 mic, the framing often matches the geometry of the previous shot. This creates a visual rhythm that mirrors the musical one, keeping the viewer locked into the performance without the distraction of flashy digital transitions.

Typography is minimal, adhering to TE's strict grid-based, lowercase aesthetic. When text does appear, it acts as a structural element on screen rather than a narrative crutch. The physical product is the hero, and the motion design exists solely to amplify its mechanical and musical attributes.

What to steal from it

  • Let the product's output drive the edit; if you are selling a musical instrument, cut strictly to its beat.
  • Use clinical, locked-off punch-ins to emphasize hardware details rather than relying on constant, unmotivated camera drift.
  • Leverage match cuts to connect multiple physical products within a single ecosystem seamlessly.
  • Treat on-screen typography as an extension of the product's industrial design.

Want a video like this for your product?

Impractical cuts one from a single prompt — the same motion craft, in about twenty minutes.

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